Don’t Add, Synthesize
I recently heard an interview of an FMA Guro who talked about using a short stick to be a great close-up fighter, and then getting the long stick to do larga mano.
I’ve seen a combined style art that does larga mano and serrada, I’m assuming with two sets of weapons.
Rather than adding up styles, let me suggest that a better approach is to synthesize. For instance, Combat Eskrima Maranga is a close range Balintawak style using the traditional short stick, but the late GM Timor Maranga realized the style needed a long range component. So Combat Eskrima Maranga incorporates long range techniques with the same stick.
The Eskrima Kabaroan system under GM Estalilla is a long range art with a big stick, but it also has close range bamboliya techniques with the same stick. GM Estalilla influenced me to incorporate the same concept into Big Stick Combat, a long range system with the ability to flow into short range and out again, all using the same weapon.
I’ve seen several Serrada/Larga Mano “combined” styles. The reason for this is that the late Grandmaster Cabales of Serrada and the late Grandmaster Giron of the Larga Mano style were two great masters and rivals in Stockton, California, which is ground zero with respect to the FMA in America.
The problem as I see it is that the two styles are irreconcilable. They are based on two entirely separate philosophies. It’s like ballet and football: you can do one or the other, but if you try to do them both, I’m afraid that both are going to suffer for it.
The challenge as I see it for martial artists is to synthesize what you have learned. Even though Combat Eskrima Maranga is an extremely close range style, I was able to apply many of its principles to the big stick.
The other challenge is to realize what can’t be synthesized. I cannot synthesize Tae Kwon Do or Tai Chi with Thai Boxing. I cannot synthesize sinawali or Serrada with the big stick. I know better than to try, or to waste my time working on something totally different from my core art.